Wata Don Pass Garri: The Situation Has Reached A Mother-Lovnne Head
Wata Don Pass Garri is a body of work that is the talk-back to 2. It is one of Nkechi Ani's most honest bodies, detailing her feelings about magic, the family that stole her family, and the absolute reclamation of her power in sweet work, the pleasing of herself first. Nkechi Ani describes her experiences in the months following her fourth book, Biafra: God Answers. This book is a resurrection as it is included in a number of works that were stolen from Igwe's laptop. "I wrote them again, and this time I'm sure you'll tell a friend" is Igwe's response to the theft of what appeared to be her empire. "I got more skins heaux". In this book you meet Ting, one of Igwe's many manifestations. She discusses her discontent with the concept of fatherhood in both mainstream and indigenous society, and offers very sharp rhymes for those she feels deserve her wrath, her divine anger (((FA))). This book is best used for darker altar work, and is coined "The Ancestral Clapback" to the robbery of the millennium that never was ("cuz a bitch wrote it again"). Utilizing her signature (((A)))ndromedan light language as well as the Igbo language, she paints a picture of the vinegar she's giving 2.
Wata Don Pass Garri is a body of work that is the talk-back to 2. It is one of Nkechi Ani's most honest bodies, detailing her feelings about magic, the family that stole her family, and the absolute reclamation of her power in sweet work, the pleasing of herself first. Nkechi Ani describes her experiences in the months following her fourth book, Biafra: God Answers. This book is a resurrection as it is included in a number of works that were stolen from Igwe's laptop. "I wrote them again, and this time I'm sure you'll tell a friend" is Igwe's response to the theft of what appeared to be her empire. "I got more skins heaux". In this book you meet Ting, one of Igwe's many manifestations. She discusses her discontent with the concept of fatherhood in both mainstream and indigenous society, and offers very sharp rhymes for those she feels deserve her wrath, her divine anger (((FA))). This book is best used for darker altar work, and is coined "The Ancestral Clapback" to the robbery of the millennium that never was ("cuz a bitch wrote it again"). Utilizing her signature (((A)))ndromedan light language as well as the Igbo language, she paints a picture of the vinegar she's giving 2.
Wata Don Pass Garri is a body of work that is the talk-back to 2. It is one of Nkechi Ani's most honest bodies, detailing her feelings about magic, the family that stole her family, and the absolute reclamation of her power in sweet work, the pleasing of herself first. Nkechi Ani describes her experiences in the months following her fourth book, Biafra: God Answers. This book is a resurrection as it is included in a number of works that were stolen from Igwe's laptop. "I wrote them again, and this time I'm sure you'll tell a friend" is Igwe's response to the theft of what appeared to be her empire. "I got more skins heaux". In this book you meet Ting, one of Igwe's many manifestations. She discusses her discontent with the concept of fatherhood in both mainstream and indigenous society, and offers very sharp rhymes for those she feels deserve her wrath, her divine anger (((FA))). This book is best used for darker altar work, and is coined "The Ancestral Clapback" to the robbery of the millennium that never was ("cuz a bitch wrote it again"). Utilizing her signature (((A)))ndromedan light language as well as the Igbo language, she paints a picture of the vinegar she's giving 2.